One of the things that has come out of my field work is the desire by museums to 'future plan' or 'future proof' their institutions. Instead of focusing on the now (or the immediate future), to look at the bigger picture of five, ten, twenty years down the road.
Museums don't do this very well. And very few individuals do it well either.
I used to do it really, really well. But that was in the days of stable jobs and very specific life plans. Those days are long gone.
Now I have a difficult time planning a month in advance. At the moment, I am struggling to plan for early 2015 (less than a year away) and finding it is nearly impossible. There are so many contingencies needed that having any plan is rather pointless, because it's not going to work out 'that' way. I mean, having goals is good, but plans are a bit more specific. It's hard for me, because I plan. I organise. I over-think. There perils of an OCD mind.
When it comes down to it, however, this is the same problem facing museums. The cultural industry seems to change on a pin head these days and there is now knowing if, perhaps, next month is the month you will lose your funding. Or perhaps that major grant application you just put in and don't hold out much hope for will actually come through. People are losing jobs left, right, and centre. Technology is bounding ahead (in fits and spurts for museums). Funding is ever changeable. It's very hard to future plan when you don't have any idea what the future will be like.
Obviously it's an issue facing a lot of fields these days, not just culture (and not just museums within culture). It's also a problem for a lot of people.
I know I need to get better at future planning, while still being flexible enough to amend those plans when the inevitable upset arrives. The PhD has certainly given me lessons in this in spades, and how I need to learn from those lessons and adapt them into my life.
My first plan? I'm planning to walk the Portuguese Camino in autumn 2016.
And if it's spring 2018, that's okay too. The point is, for now, that I plan to do it.
This is a place for me, as a non-professional writer, to discuss my creative processes. I do different types of writing, including fiction and work related and I want to talk about them!
Friday, May 23, 2014
Thursday, May 1, 2014
Camino de Santiago
Walking is not a pastime for the majority
of Canadians. We enjoy outdoor sports, even in the coldest depths of winter,
but Canada is a huge country and before there were automobiles, there were
horses. Canadians drive to work (or occasionally bike if it’s close and the
weather is decent), to the stores, to their holidays. Most of us learn to drive
as soon as we turn old enough and never look back.
Part of that is a horrible public
transportation system, which doesn’t encourage leaving the car at home. Mostly
though, it’s just that everything is a lot further away than in Europe. Canada
is wider across than the entirety of the European continent, from west Ireland
all the way to eastern Ukraine. Even the grocery store is a long way away from my house.
I heard about the Camino in 2005, when
Heather Dale released Road to Santiago.
I learned that Santiago was a place in Spain, that it was a pilgrimage site,
that it was old, and that it was part of a much larger world of a time in
Europe when nearly everyone walked everywhere. At the time I thought it
interesting, but not particularly intriguing. I did a brief search on Santiago
and the pilgrimages of old and then…put it out of my mind. In 2005 I didn’t
walk anywhere, much less across an entire country.
In 2011, Emilio Estevez released The Way, but I didn’t see it until
February 2012 when I rented it off iTunes. I rented it because it was Martin
Sheen and James Nesbitt and I’m easy like that. I could watch those two in
practically any movie and enjoy it. But I remember, from the first few minutes
of the film that something about it spoke to me. I usually go in for action or
maybe rom-com, but this one grabbed me from the start. I find most dramatic
movies overly sappy and can’t get invested in them. This one, for whatever
reason, was different. From the DVD menu with its map background and the first
few humorous moments of the film, I was hooked. Even the music was perfect.
I watch it now and even the first notes of
the soundtrack bring me to tears. It is beautiful and perfect, in a way so
understated as to be almost ignored by the world. But this little film has
changed so many people’s lives. So many people I have met have seen this film
and made a choice that will forever shape their existence. How many films can
say that? It did not set out to do that. It set out only to tell the story of a
father and son, but somewhere along the way it told the story of the Camino
too. And people flocked to it.
From the opening credits sequence to the
last stirrings of the piano on the shores of Finisterre, it is beautiful.
And so was the Camino. Amidst pain and
suffering there was joy and beauty. Life, in but a snapshot of time. Time to
live each moment and to reflect each day. And perhaps the entirety of the
Camino is very simple; perhaps the need and chance to walk it, is the only true
miracle.
There is no other experience like walking
across a country. An afternoon’s hike, or a weekend walking holiday do not
compare. They are holidays, they are enjoyment and peace and involve little
sacrifice, little suffering. Otherwise why would anyone do them? They are
choices. The Camino is, in many ways, not a choice. It was not for me. I did
not choose to walk it; I simply knew
I had to. One clear moment of understanding in my life. I was meant to do this. Whether by fate or a
higher power or simply by the desire to experience life that drives us all,
this was always going to be my way.
Spain is a beautiful country. From north to
south, east to west, it is in turns stunning and sad, breathtaking and
unassuming. I had never been before. I may never go again. The Camino is part
of Spain and yet not part. Those that walk the way are not visitors to Spain;
they are not the tourists of Madrid and Barcelona. They are not there for a
holiday. They are not even really there to experience Spain. They are there to
experience the Camino and the Camino is not Spain. It flows through the country
like the Mississippi flows through America, but it does not define Spain. It
existed before modern Spain existed and it will exist, in some ways, long after
Spain is gone. It sits in a time apart.
The Camino is not characterized by politics,
or these days even religion. It does not care what your creed is, or your
birth, your social standing or your mistakes. The Camino simply is. It is a
line through the sand, but not a border. It is there only in your mind as a
challenge and a task. Each day, each moment, something to be experienced and
overcome. Each moment treasured before it is put aside in favour of the next.
But the moments never pass entirely, only flow one into another, one mile into
another, until the end. But the end is not really the end. You emerge in
Santiago a different person from when you started, and you will forever be
such. You carry the Camino with you each moment of the rest of your life, in
memories and friends, and in your own self.
The Camino is a life changing experience.
It cannot be otherwise. There is nothing quite like it, no other walking trail
in the world quite the same as this one, as they are not the same to others.
Each person walks their own Camino. There is no single path, but through every
footfall that you take, you carve your own, leaving behind a trail to guide
others.
At no other time in your life, except for
on hiking expeditions, will you wake up in a new place each day. Nowhere else
will you see a landscape change below your feet with each step you take. No
other way will you experience hunger and exhaustion, pain and struggle on such
monumental scales and revel in them.
It has been twelve months since I set off
on my Camino. Not a day goes by that I do not wish I was on it again. Even on
the worst days there were moments worth remembering. I do not know if my life
will ever allow for another Camino, but I know that whether it does easily or
not, I must walk another. It is a
desire that sits in my heart and always will. There are some once in a lifetime
experience that should never happen just once. This is one of them.
Perhaps I will see you on the Way.
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